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> Ebook Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

Ebook Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

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Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

Ulysses (Bloom's Modern Critical Interpretations), by James Joyce



Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

Ebook Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

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Ulysses (Bloom's Modern Critical Interpretations), by James Joyce

Ulysses by Joyce, James

  • Sales Rank: #1552406 in Books
  • Brand: Brand: Chelsea House Publications
  • Published on: 2003-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 6.20" w x 9.24" l, 1.05 pounds
  • Binding: Paperback
  • 239 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

86 of 89 people found the following review helpful.
Pricey but worth it
By A Customer
This is a wonderfully crafted book -- the physical object, that is, and not just the text. (Because if you're willing to pay this much for a copy of "Ulysses" you obviously take that for granted.) The volume is larger in size than typical hardcover books today, meaning that the type is a decent readable size and the margins are generous (for the note jotting fiends among us). Great care has clearly been taken in the choice of paper and the sewn binding, which allows the book to lay flat during reading and insures years of re-reading. Although there is no dustjacket the cover is made of very durable material; various cover protectors can be found to stand in or, for the really paranoid, a slipcase can be made or found. It should be added that the text is presented as originally published, so there are no notes or glosses to help the first-time or casual reader; neither are the episodes keyed to any of the line numberings found in other editions. However, those wishing to refer to notes would be best off buying one of the helpful readers' companions by Gifford or Blamires anyway. In relation to other available editions, this one occupies a vast middle ground between the throwaway mass-market paperbacks on the one hand and the out-of-reach collectors' editions on the other. The book's durability and elegant though understated presentation should prove most attractive to those readers who intend to read the text again and again, whether for pleasure or for study. In short, this volume is a keeper.

220 of 238 people found the following review helpful.
The Best Book of All Time?
By james
I have frequently heard Ulysses proclaimed the best book ever written, but I could never understand why. I purchased this edition of the novel three years ago, and since then it sat on my shelf, a mighty 900 page undertaking that I kept putting off. I was reluctant to read it, for I have often heard how difficult it was to get through. Finally, I have read it, and though I believe it presumptuous to call any one book "the best book of all time", I certainly believe that Ulysses could claim that title. First off, it is not a difficult read. If you could get through A Portrait of the Artist as a Young Man, you can get through Ulysses. I heartily recommend this edition because of the brilliant introduction by Declan Kibard. Before I read Ulysses, I could not understand how this could be the best book of all time. According to my understanding, it was a novel detailing, in 900 pages, one day in the life of a Jewish Irishman, Leopold Bloom. A totally unremarkable day at that. After reading Kibard's introduction, I was fiercely eager to begin the novel. In his introduction, totally some 70 pages, Kibard answers the precise question I had: Why would this book be called the best of all time? This book is never boring, and is actually a quite enjoyable read. It is arranged in 18 chapters, and to me, the most astounding aspect of this piece of literature is the fact that every chapter is written in a different style. Joyce wanted to show that "originality" in terms of style was merely a new arrangement of previous styles, and so shows his brilliance as a writer by changing his technique and method completely in each chapter. It is indeed difficult to believe they were written by the same person. The styles are listed as: Narrative (Young), Catechism (Personal), Monologue (Male), Narrative (Mature), Narcissism, Incubism, Enthymemic, Peristaltic, Dialectic, Labyrinth, Fuga per canonem, Gigantism, Tumescence detumescence, Embryonic development, Hallucination, Narrative (Old), Catechism (Impersonal), Monologue (Female). Some chapters, such as the Cyclops, done in Gigantism, are deliciously satirical and overdone, while others, such as the Lotus-eaters, are sharp and direct. Though Joyce is often called a "stream of consciousness writer", only a few chapters are the truly chaotic stream of consciousness, such as the Oxen of the Sun, the Proteus, and the Sirens. The culmination of absurdity and abstraction occurs in the massive Circe chapter, a play styled as a hallucination in the brothels of Dublin. This novel is nearly impossible to take in with just one reading, and I will be reading it again shortly. On this note, I would say that I heartily recommend reading Ulysses straight through in its original form, rather than labouring under the weight of the hefty annotated edition. A true masterpiece, one of the best books I've ever read, and yes, quite possibly the best book ever written.

98 of 109 people found the following review helpful.
Baffling at first, then slowly certainly wonderful
By Dennis Dalman
I had heard about Ulysses all through my literature-loving youth. When I was 16 or so, I tried to find Ulysses in the St. Cloud Technical High School Library. It was listed in the card catalog, but it was never on the shelves. Finally, I asked the prim-and-proper old biddy librarian where the book was. She fairly shuddered and asked me with a cockeyed combination of excitement and accusation "why" I wanted to read it. I told her I'd heard it was a great book and so please hand it over. Sure enough, it was in a back room and the old battleaxe crept forth with the book, jacketed in a beautiful red. At home I opened it and tried to make sense out of the first page. I dipped around in it and finally threw it hard as I could against the wall of my bedroom. "This is gibberish junk!" I said to myself. Later, I kept hearing more about the book and thought, "well, maybe I'm just dumb," which really teed me off. One day I found a book called "Re-Joyce" by Anthony Burgess (of Clockwork Orange fame). He was a Joyce fanatic and wrote a book about how to read Ulysses. And so I read Re-Joyce as I read Ulysses and, wonder of wonders, what an experience! That was back in 1965. I still read Ulysses. It's the one book I re-read more than any other. Oh, and when I look back, way back to my high school library, I know now how Joyce would have roared with merriment at that biddy librarian. He would have been honored in his sly way to see his naughty book kept behind that bun-haired spinster's iron petticoats. Don't give up on Ulysses! Get the Burgess book as a guide, or the Gilbert guide. But don't give up. Riches, great riches, await you!

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