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Bloom's coverage ranges form the Ancient Greeks to modern day and includes writers like Aristophanes, Shakespeare, Moliere, Anton Chekhov, Tennessee Williams, and Arthur Miller. Ages 16+.
- Sales Rank: #2602598 in Books
- Published on: 2006-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.54" h x .98" w x 6.36" l, 1.54 pounds
- Binding: Hardcover
- 307 pages
About the Author
Harold Bloom is Sterling Professor of the Humanities at Yale University. He is the author of 30 books, including Shelley's Mythmaking, The Visionary Company, Blake's Apocalypse, A Map of Misreading, The American Religion, and The Western Canon. His most recent books include Shakespeare: The Invention of the Human, a 1998 National Book Award finalist; How to Read and Why; Hamlet: Poem Unlimited; and Jesus and Yahweh: The Names Divine. In 1999, Professor Bloom received the prestigious American Academy of Arts and Letters Gold Medal for Criticism. He has also received the International Prize of Catalonia, the Alfonso Reyes Prize of Mexico, and the Hans Christian Andersen Bicentennial Prize of Denmark.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Magnificent!
By CULTURE CRITIC
The greatest living literary critic turns out to be nothing more, and nothing less, than the greatest living reader. He has read more than anybody else: More completely, more intelligently, and more humanely. Harold Bloom does not subscribe to any extrinsic, ideologically motivated "theory" (unless intelligence, insight, and ecstasy constitute theory), but he does believe in three intrinsic standards: Aesthetic splendor, cognitive power, and wisdom. One can read the volumes "straight-through" over a period of several (sleepless) weeks or dip into them from time to time. Either way, one will surely go back to them over and over again for the rest of one's reading life, for illumination, enlightenment, and pleasure. Bloom reminds us above all, and we need to be reminded in a time of easy "gizmo" distractions, that reading is not oppressive but liberating, perhaps the most significant personal act a human being will make to assert his or her freedom. An absolute "must-have" set for Harold Bloom and literature reader/collectors.
7 of 11 people found the following review helpful.
'Regrettably' Indeed
By Darian L.
Having been a reader of Bloom for some time, I've been purchasing these collections of introductions.
As an example, Novelists and Novels had some arguable omissions (where's Dorian Grey?, I thought for a moment.), but I'm not looking for absolute comprehensiveness, and was so much satisfied with the sheer nearness of comprehension he'd managed that any true complaint would be silliness.
Naturally, I'm reading these for Harold Bloom's opinions. They interest me, and they are diverse enough to make exhausting them an amiably impossible task. With this, he did pretty much the one thing that could bugger me into silliness and complaint: he left a great deal of those out.
Well, not even that, he left the Wrong Ones out. You include O'Neill and forget Racine? You say nothing of Calderon and write speculations on the paucity of theater after Shakepseare in Arthur Miller's comically long section? Strindberg - which I was searching for his opinion on - is gone, apparently replaced with a myriad of rather boring 20th Century playwrights.
He owns up to these, and others, in his introduction. The book covers the requisite Athenians, and then devotes a solid third of the book to Shakespeare, which would be fantastic, if I hadn't read his titanic tome of everything he says here and then some: Shakespeare: The Invention of the Human
Okay, I loved to hear him on Moliere. Thank you Tom Stoppard. Oh, and gracious me, it's about time I encountered someone who could say that about Brecht. Pirandello is here.
I grant him that all this series amounts to is a collection of things written prior, but all the same: Apologizing for your major absences does not fulfill the absence.
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