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-- User's guide -- Biography of the short story writer -- List of characters in each story -- Detailed thematic analysis of each short story -- Extracts from major critical essays that discuss important aspects of each work -- A complete bibliography of the writer's works -- A list of critical works about the short stories covered in the book -- An index of themes and ideas in the author's work
- Sales Rank: #5664222 in Books
- Brand: Brand: Chelsea House Publications
- Published on: 1999-01
- Original language: English
- Number of items: 1
- Dimensions: .50" h x 6.23" w x 9.26" l,
- Binding: Library Binding
- 86 pages
- Used Book in Good Condition
From Library Journal
Like Prentice-Hall's "Twentieth-Century Views," this new series, "Modern Critical Views," attempts to present the best criticism available on selected contemporary authors. The two volumes under review each contain nine previously published essays, many by prominent critics: the Salinger volume includes work by Alfred Kazin and David Galloway (The Absurd Hero in American Fiction, 1966), while Joyce Carol Oates, Robert Penn Warren, and Linda Wagner are among the contributors to the Dickey volume. Arranged chronologically, the Salinger essays provide a sweeping view of Salinger's critical reception; the Dickey essays would have benefited from such an arrangement. Both collections explore a variety of issues, many so specific that a familiarity with the author's work is necessary. For this reason, they will not readily serve as introductory works but will be more useful to teachers, graduate students, and advanced literature majors. William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 1987 Reed Business Information, Inc.
Review
"The accounts offer students an opportunity to absorb serious analytical styles."
"A publishing venture almost without precedent both in its scope and in the fact that it is guided by a single critical intelligence."
"Harold Bloom adds some fantastic critical literary guides, providing interpretations and issues that should reach a wide audience from adults to young adults at the high school and college levels."
About the Author
Harold Bloom is Sterling Professor of the Humanities at Yale University. He is the author of 30 books, including Shelley's Mythmaking (1959), The Visionary Company (1961), Blake's Apocalypse (1963), Yeats (1970), A Map of Misreading (1975), Kabbalah and Criticism (1975), Agon: Toward a Theory of Revisionism (1982), The American Religion (1992), The Western Canon (1994), and Omens of Millennium: The Gnosis of Angels, Dreams, and Resurrection (1996). The Anxiety of Influence (1973) sets forth Professor Bloom's provocative theory of the literary relationships between the great writers and their predecessors. His most recent books include Shakespeare: The Invention of the Human (1998), a 1998 National Book Award finalist, How to Read and Why (2000), Genius: A Mosaic of One Hundred Exemplary Creative Minds (2002), Hamlet: Poem Unlimited (2003), Where Shall Wisdom be Found (2004), and Jesus and Yahweh: The Names Divine (2005). In 1999, Professor Bloom received the prestigious American Academy of Arts and Letters Gold Medal for Criticism. He has also received the International Prize of Catalonia, the Alfonso Reyes Prize of Mexico, and the Hans Christian Andersen Bicentennial Prize of Denmark.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Good Plot Summaries and Character Lists of Six Salinger Stories, Helpful Index of Themes and Ideas, and Picky Criticism
By Donald Mitchell
"Now behold, one came and said to Him, 'Good Teacher, what good thing shall I do that I may have eternal life?'" -- Matthew 19:16 (NKJV)
Ah, how I wish such plot summaries and character lists had been around when I was assigned to read short stories in high school. It would have saved me lots of time wrestling with making notes, figuring out what I wrote, and connecting the dots.
The book's main limitation is that it only covers six stories:
"A Perfect Day for Bananafish"
"Uncle Wiggily in Connecticut"
"The Laughing Man"
"For Esme--with Love and Squalor"
"Franny"
"Raise High the Roof Beam, Carpenters"
For someone who published as little as Salinger did, it seems strange not to include more stories. My guess is that the criticisms of the other stories left even more to be desired than these criticisms do.
Many people don't either "get" or "like" Salinger's stories. Some find them to be too dated (being deeply rooted in their time and mileau rather than attempting to be more timeless and universal) while others don't like his philosophies. Doesn't writing, itself, count for something? These are amazing fictional works that will invade your mind never to leave. The craft behind the language and story telling is immaculate.
These criticisms are mostly superficial in the extreme. I would have never written a book review if such essays had been my model for commenting on writing because I would have been embarrassed to focus on such trivial points. Harold Bloom doesn't seem to like them very much either, noting "The Critical Views excerpted in this volume rarely abound in perceptiveness . . . ."
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