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Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, and what is the use of a book,' thought Alice `without pictures or conversation?
- Sales Rank: #3227995 in Books
- Published on: 2006-11-15
- Original language: English
- Number of items: 1
- Dimensions: 9.42" h x .80" w x 6.40" l, 1.26 pounds
- Binding: Library Binding
- 150 pages
Review
"Students preparing research papers and students boning up for class will reach eagerly for these well-designed additions to accessible literary criticism for high school students."
Most helpful customer reviews
139 of 146 people found the following review helpful.
Master of Nonsense
By Bryan A. Pfleeger
The Annotated Alice provides a treasure chest of information on the two Alice books and on the man, Lewis Carroll who was responsible for their creation.
Martin Gardner provides annotations throughout the texts of both Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. Gardner's annotations help explain the inside jokes and mathematical and linguistic puzzles that fill the stories.
Reading the Alice books as an adult is quite a different experience than it was as a child. The books' complexity really stands out on a careful reading. In fact, what are generally regarded as children's stories can be amazingly frustrating to read due to the complexity of the language and the almost constant stream of puns that are sometimes lost on modern audiences. One must remember that the stories are told purely for fun. Unlike other Victorian children's literature one gets no morals, plot development, or character development here. Alice is a yound child who stays a young child throughout her adventures. She neither matures or learns anything from her adventures.
This is a very nice volume in its own right. It contains complete authoritative texts of both books and includes the supressed episode "The Wasp in the Wig." The original Tenniel illustrations are crisp and clear. The only difficulty is that the annotations are placed on the same page as the text in a small column that sometimes supplies more information than the text itself. The annotations themselves range from the definitional to the clearly eccentric. One can read all of them or only the ones that he or she is interested in.
On the whole this is an excellent volume well worth the effort to read if one has any interest in the world of nonsense literature.
247 of 267 people found the following review helpful.
"Curiouser and curiouser!"
By Monika
My first exposure to Lewis Carroll's classic children's story was through the 1951 Disney film adaptation "Alice in Wonderland," which I watched repeatedly as a child. The creative quality of the story never failed to fascinate me, and I kept going back despite my deep-rooted terror of the frightful Queen of Hearts, who always gave me nightmares! However, it was not until recently, as an adult, that I ever picked up the book/s upon which that film was based. In some ways I wish I had read it when I was younger, as the book certainly makes a great deal more sense than the movie does (as much sense as a story of this sort can, anyhow), but thankfully this book is unique in that it is just as enjoyable for adults as for children.
The story is actually spread across two books, here contained in a single volume. "Alice's Adventures in Wonderland" was first published in 1865 and relates the events that take place after young Alice falls asleep during her lessons and dreams of following a white rabbit down a rabbit hole. Alice encounters all manner of strange creatures in her dream, and finds herself in all sorts of curious predicaments where common sense fails and the nonsensical comes to be expected. There is no central, concrete storyline, but rather Alice moves rapidly from one bizarre situation to the next before waking once more and relating the whole adventure to her sister.
The second of the two books, "Through the Looking-Glass and What Alice Found There," appeared in 1871 and is very similar in nature to the first, though having a slightly different plot. Here Alice steps through an ordinary looking-glass one day, only to find herself in a world where, if you wish to get anywhere, you must walk in the opposite direction! Walking toward your desired destination only gets you further and further away. Also, interestingly, the land which Alice has entered is essentially a giant chessboard, and she must move through the different squares to reach the other side if she wishes to become a queen (which she does).
The characters Carroll created in these two stories are some of the most strikingly unique and unforgettable in the world of literature. Alice herself, based largely on Alice Liddell, a real-life child of whom Carroll was very fond, is a wonderful heroine that you can't help admiring. Throughout all of her backwards and upside-down adventures, she remains ever sensible and analytical, always trying to reason her way out of the most unreasonable situations. Other characters a reader won't soon forget include the White Rabbit, the Mad Hatter, the March Hare, the Dormouse, the Cheshire Cat, Bill the Lizard, the Caterpillar, the Duchess and her peppery cook, the aforementioned Queen of Hearts, the Mock Turtle, the Gryphon, the Red and White Queens, the talking flowers, Tweedledum and Tweedledee, the Sheep, Humpty Dumpty, and the Red and White Knights. Carroll also created many fascinating new creatures in his stories, including bread-and-butterflies, rocking-horseflies, "slithy toves," "mome raths" and more.
What I find most intriguing, as an adult reader of these books, is Carroll's brilliant use of wordplay and symbolism throughout the stories. Nearly everything has some sort of double meaning. There are hidden messags and subtle witticisms on every page. Carroll also includes several parodies of what were well-known songs and rhymes in England at the time. Young children will love the books for their fantastic qualities and imaginative inspiration, but most readers will not pick up on the many puns and jokes until they are a little older, so these stories really do have something to offer to anyone, no matter what age. I'd highly recommend the book to any reader - and be sure to get an edition that includes the original illustrations.
This review refers to the 2004 Barnes & Noble Classics printing, with introduction and notes by Tan Lin.
59 of 60 people found the following review helpful.
No need to "Go Ask Alice" when you have the Annotated one
By Lawrance Bernabo
Perhaps no other set of works in literature benefits more from annotation than "Alice's Adventures in Wonderland" and "Through the Looking Class." Martin Gardner, the author of a regular monthly column on recreational mathematics for "Scientific American," provides expert commentary on all the jokes, games, puzzles, tricks, parodies, obscure references and other curiosities with which Lewis Carroll saturated his writing. That means that you will find out who was the original model for the Chesire Cat and how the "Jabberwocky" poem translates into French. Actually, the definitions of all of those strange words in "Jabberwocky" is quite a load off of my mind. Besides, this edition also contains the full text of each tale, together with all of the original Sir John Tenniel illustrations in their proper places. The annotation runs concurrently with the text and Gardner also provides an introduction that covers both the story of how the books came to be written and some of the most interesting analyses of Carroll's works, such as those always fun Freudian interpretations. The bottom line is that either one of these books gets 5 stars by itself, so when you put the two of them together and add all this annotation, there is nothing to complain about. This is the perfect book for re-reading these books; I would never send anybody here for their first exposure to Alice, but once they are hooked on Carroll's sublime nonsense this will open up a whole new dimension or two (or three) of his work for them.
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