PDF Ebook The Jungle (Bloom's Modern Critical Interpretations), by Upton Sinclair
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The Jungle (Bloom's Modern Critical Interpretations), by Upton Sinclair
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- Presents the most important 20th-century criticism on major works from "The Odyssey through modern literature- The critical essays reflect a variety of schools of criticism- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index- Introductory essay by Harold Bloom
- Sales Rank: #4150029 in Books
- Brand: Brand: Chelsea House Publications
- Published on: 2002-07
- Original language: English
- Number of items: 1
- Dimensions: .52" h x 6.32" w x 9.36" l,
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up–In 1906, Sinclair published The Jungle, a realistic and scathing portrayal of the life of an immigrant worker. Kuper's revised adaptation focuses solely on its hero, Jurgis Rudkus. Readers follow him from his emigration from Lithuania to downtown Chicago, eager to find the American Dream he's heard so much about. But the harsh world of Chi-town quickly shatters his hopes; forced to take a job at a slaughterhouse, he performs the most menial and vile tasks. An injury pushes him to unemployment and, unable to provide for them, he leaves his family in shame. Rudkus transforms from a starry-eyed dreamer into a cynical but valiant man who fights for workers' rights. Kuper's artwork effectively mimics some of the major art movements of the day. The book opens in a Chagall-inflected form of cubism, lending a folksy, dreamy, and hopeful quality to the early pages. Then, the visuals become increasingly jagged and frenetic until they reach the Futurist-inspired panels that illustrate the story's climax. Well-plotted and beautifully illustrated, Kuper's adaptation breathes new life into this classic American story.–Matthew L. Moffett, Northern Virginia Community College, Annandale
From Booklist
The biographical sketch at the end of Kuper's visualization of the most famous muckraking novel says that it was intended not as an expose of the meatpacking industry but as a pitch for socialism. Kuper and coadapter Russell restore Sinclair's original intent by concentrating on the odyssey, from green Lithuanian immigrant to horribly saddened but finally wiser nascent Socialist Party member, of the book's protagonist, Jurgis Rudkus. It is a story of the highest possible pathos. Jurgis is a working-class Job and worse, for he loses almost everyone he loves to the grinding jaws of industrial capitalism (the coup de grace comes when his dead wife's little brother is eaten by rats) and becomes a strikebreaker and ward heeler before he absolutely bottoms out. Grimmer than Dickens' books, Sinclair's agitprop classic seems tailor-made for Kuper's spectacular color artwork, in which Chagall's buoyant Old World fantasias meet the intense expressionism of Munch and, above all, the cubist-derived constructivism of early Soviet poster art, with a smidgen or two of 1920s German cinema in the compositions. Magnificent. Ray Olson
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
139 of 152 people found the following review helpful.
In the jungle
By Marcus A. Lewis
We last saw Chairman of the Board Juan Cabrillo in "The Silent Sea" (3/10), as he was trekking across the frozen wastes of the antarctic. He had become separated from the crew of the "Oregon" and believed dead. The Chairman and his motley crew are all together again in the latest collaboration from Clive Cussler and Jack Du Brul.
"The Jungle" begins with one of the better Prologues of a Cussler novel in some time. Set in Eastern China, 1281 A.D. We are eyewitnesses to the battle tactics of General Khenbish, who is in the employ of the great Khan. We learn the history of the three tents that precede each battle; and the first known uses of lasers and dynamite on the battlefield. A walled village is obliterated because its leader dared to provoke the wrath of Khan. It is the independent observer who accompanies Khenbish that is the real surprise at the end of the opening chapter.
The story leaps from the past into the present, just four months ago. The tendrils that connect the two begin to reveal themselves; and the adventure begins.
The summary of "The Jungle" alludes to their many types: real, imagined, physical, and politcal. Readers will enjoy finding their way through all of them. It's easy to see why the "Oregon" files have eclipsed the Dirk Pitt series. The writing here is far superior to what the two Cusslers are generating together. A hat tip to Upton Sinclair, whose book inspired the title.
49 of 51 people found the following review helpful.
Chairman Cabrillo and team save the world, again.
By William D. Curnutt
I always love a good Clive Cussler book and have really learned to enjoy the addition of Jack DuBrul to the writing team. The Oregon Files are a great series and just when you thought there couldn't be a group to top NUMA along comes The Corporation with The Oregon.
After their last adventure the crew of The Oregon find themselves needing work. Their contracts with the U.S. Government have dried up because the President doesn't particularly like them, especially since they went against everything he asked in the last adventure and succeeded when no one should have. So, now the Corporation is taking on more and more private jobs. But they have one particular preference, they won't work for criminals or people they consider bad. That leaves them with slim pickings. But they receive two jobs right in a row to rescue children (one a teenager and one a young adult) of some very wealthy people. Each case is unique and not tied together. Or are they.
During the first job to rescue a young teenager from a life in the Taliban they team not only rescues the boy but rescues a Private Security Company Employee who was captured by the Taliban and going to be used as their next TV broadcast of a beheading of an infidel. Juan and his team rescue the young MacD Lawless as well as their clients son. MacD proves to be a great find for them as during their escape he proves his calmness under fire and even saves the whole teams lives with a heads up move to divert a sure missile strike.
Juan offers MacD a job since they are one team member short (after loosing a team member in the last book). They have to vet MacD first, but in the meantime they hire him on probation and put him to work. He proves to be a highly useful tracker as well as an experienced warrior, he is a former Army Ranger. I love the way that Cussler and DuBrul weave in a new character and make him a part of the team so well.
Unfortunately during the time it turns out that MacD is a spy for someone trying to take down the Corporation. Or is he really a spy. That has to be determined.
Then we discover that not only is the Corporation tracking down to missing children but they have stumbled across the beginning of a world terrorism plot. A group has discovered how to create a Quantum Computer that has 10,000 times the computing power of anything the U.S. Government has. This computer can hack into anything and take over control of anything. This group is trying to hold the U.S. Government hostage. They threaten acts of terrorism unless the U.S. President bows to their desires and terms.
Unknown to the President, The Corporation is already at work tracking this threat down. They have figured it out before anyone else, it seems (of course). But then Langston Overholt comes on the scene and the CIA is again asking The Corporation for help.
The plot is wonderful. The pace is fast. The characters are amazing and the new ones that are woven into the story add to the team without distracting from the plot.
Cussler and DuBrul have again hit another home run. This is a must read for any Clive Cussler fans.
Enjoy!
93 of 103 people found the following review helpful.
Superb book (even if you were assigned to read it).
By sporkdude
I'm the type of guy that can't stand many literary classics. I'm sorry, but I read a book for entertainment, not for metephors, meaning or symbolism. This is why it seems strange that I highly recommend this book.
This book chronicles the life of immigrants from Lithuania who settle in Chicago in hopes of obtaining the American Dream. The way Sinclair describes the hardships of this family, it almost feels like you're the one who's suffering. Though depressing, the amount of detail engulfs the reader.
Though the book is famous for exposing the meat packing industry's unsanitary conditions, it really is just a minor part of this book. The worker's rights, the racism, the corruption, and the poverty is what this book is all about. Though I'm a firm believer of Adam Smith and his invisible hand, half way through the book, I was searching for the local Socialist recruiter. Well, not really, but it will open anyone's mind.
Except for the end, where it was just pure Socialist propoganda, this book is fantastic.
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